The river and two
uncles
by DAVID DAY
Several years ago,
I was standing in the market place of the small South Lincolnshire town
where I was born and grew up. It was Thursday, market day, though it was
no longer possible for a relaxed sociable crowd to meander through the
stalls. Only a few traders still tried to sell their wares in side
streets. The piled-up local produce to be auctioned, the ironmonger’s
stack of hardware, the cakes and bread, poultry and rabbits in cages, fish
from Boston, plants, second-hand books, even a fortune teller sometimes,
had given way to lumbering foreign lorries spewing fumes and grinding
gears. No one lingered.
I was disquieted and disappointed. The sense of not belonging to a place
where I had always been recognised and felt welcome was both new and
vivid. Then, too, a great deal that was otherwise fundamentally important
to me there had been blocked or destroyed or made ugly. All the grassy
openings between houses had gone. There were no ways that led to ponds and
water meadows. In their stead were acres of absurdly over-priced houses,
some grimly substantial, fenced with high iron railings and accessed only
by speaking into a metal box. Commuters and capitalism had moved in. John
Clare, born just a few miles away, would have wept.
It was a relief to slip though a pub yard and come out into the shelter
and quiet of space between a Queen Anne house and the Abbey Church. This
space could not be altered and spoilt because it contained the town’s
river. I stepped on to the low parapet that edged the river, and, prompted
by the familiarity of this movement from long ago, my thoughts turned
upstream, where the flow had been strong and deep and where, as a boy, I’d
fished, sailed a homemade raft and, once, was lucky not to drown.
I can still recall the pain of the
underwater pressure and the huge struggling heaviness as I was dragged
upwards to the sky and sun, and I can still see the uncle who, without
doubt, saved my life. His white miller’s clothes were clinging to him and
his face was working with distress and rage. “That bloody boy! That bloody
boy!” he kept shouting. At any moment, he was going to let me know how
foolish I’d been by whopping me with his sodden hat, but his younger
brother whisked me up, tucked me under his arm and, positioning me so that
I was face down and coughing, rode me home on his bicycle. It was said
that he could do the same trick with a young calf. No doubt, he’d be
whistling at the same time.
Such men are essential to a boy’s education. That must be so because the
same uncle not only always knew where the best birds’ nests were but also
got the maggots for fishing, unearthed skates from the loft when the pond
froze and let me collect the hens’ eggs and drive the piglets round the
mill yard. Yet neither he nor his brother had the reputation for being
especially perfect. In fact, members of the local Methodist church used to
refer to them very disapprovingly.
Well, perhaps these uncles did sometimes take a drink or three and they
did laugh rather too raucously and they did put too much money on too many
slow racehorses, but, when people needed help, it was often these uncles
who were called upon. They rescued Aunt Kate Sandal’s cat from the top of
a fir tree, drowned unwanted kittens, helped to manhandle a grand piano
into Raymond Mays' drawing room, put up the big marquee for the
church garden fete, acted as bearers at funerals and bounced my father’s
old Austin Princess straight when he got it stuck askew in our garage.
Also, far fewer of our itinerant Irish labourers would have gone home
singing had it not been for the go-easy generosity of these uncles. Prudes
and puritans would no doubt demur. The two men were certainly not devoted
to laying up treasure in heaven or anywhere else for that matter.
Perhaps the most exacting memory of them comes back from late one November
evening. We were recovering from the usual big helpings of ham and eggs
followed by apple pie and custard when there was frantic knocking at the
front door. No one seemed inclined to see who was there. My uncles, who
had been at work in the mill since 6 a.m., were sprawled in two deep
leather chairs. The fire was banked up and glowing. The room was
intoxicatingly drowsy.
But eventually the call had to be answered.
I let in an elderly woman, a member of the Mays family who had always
lived not far away along the waterside. The shocked pallor of her face
stood out against her lividly dyed red hair. She kept her hands in the
pockets of her long coat, but I could see that the material was shaking.
Both men immediately stood up to receive her. They said comforting things
when she told them that her sister had gone missing again and that she was
afraid that she had wandered into the river.
The wanderer, Edith, had always been a stirring figure in my imagination.
She lived alone in a small elegant Georgian house near the mill and was
said to be mad. Like Boo Radley in Harper Lee’s To Kill a Mockingbird, she
rarely ‘came out’, though I had once met her face to face along a narrow
pathway called Coggles Causeway. It was a bitter cold early December
evening. Intense moonlight gave the scene a hard clarity in which it was
only too startlingly apparent that time, season and temperature were of no
consequence to her. She was wearing a thin summer dress and a round straw
hat. She was carrying an empty shopping basket. Her face was puffy and
every few steps she paused as if the mind needed to wait until it could
engage the movement it required. Her lips moved soundlessly, but she
nodded as if to agree with what she was saying inside her head. At a loss,
feeling tense and embarrassed, I stood aside to let her pass. I didn’t
speak because I didn’t want to disturb her.
Our search that night was fruitless. We shouted for her and held our storm
lanterns high. We poked in the reeds and let our voices echo under
bridges. We continued until we could hardly feel the sticks that we were
carrying, but all that we saw were our shadows and occasional reflected
glimpses of the moon. We were very tired trudging back along the
riverbank. Edith hadn’t drowned that night though, but when I was older, I
learned that it was about that time that she had finally ‘gone under’ into
silence and stillness. When we got home, both of my uncles were very quiet
and every now and then one of them went out to look into the millrace.
Of course, it is difficult to find a conclusion for these men, but I can
say that it is highly unlikely that either of them made it to heaven. In
any case, heaven would have embarrassed them. They couldn’t have worn
their working clothes up there. Nor would they have been allowed to tell
their jokes. Yet, if the eternal sun does shine beyond the reproving gaze
of the strictest Nonconformist angels, I’d wish these uncles a place where
they can be themselves, where they can be pleased when the swallows come
back to the barn in spring, where they can hear the soughing of the great
wing beats as they watch the swans come in to land on the river and where
they can still dive cleanly into one of the deeper pools upstream.
NOTE: David Day read The River and Two
Uncles at the launch of The Real Story project
on 19th October 2011 at The Deaf Institute, Manchester.
BIOGRAPHICAL NOTE; David Day grew up in
Bourne and now lives near Pontefract. He was educated at
Durham University where he played cricket and earned a master’s in
poetry in 2001. He retired from teaching in 1992 after 42 years in
the profession, including 30 years as head of English at the oldest
Quaker boarding school in the world. His poetry collection, Brass
Rubbings, was published in 1975 and other poems have appeared in the
New York Times and the Times Literary Supplement and have also been
broadcast on BBC Radio Three. |
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See also L R W Day
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